Champs-Elysées
- Palais de l'Elysée
The Avenue des Champs-Elysées, the most famous and most splendid of
Paris's broad avenues, just under 2km/1.5mi long, is divided into two
parts by the Rond- Point des Champs-Elysées, its largest intersection. The
upper part, extending to the Arc de Triomphe, is lined by luxury shops and
hotels, innumerable restaurants and pavement cafes, cinemas and theaters,
the offices of the big banks and international airlines - and now
increasingly by fast food outlets and souvenir stalls. This is the meeting
place of all the world, in a confusion of many tongues. The lower part of
the Champs-Elysées, towards Place de la Concorde, is flanked by gardens in
which are museums, theaters and a number of restaurants.
Musée du
Louvre
The main entrance to the Louvre Museum is the glass pyramid in the Cour
Napoléon; a second entrance from the Carrousel du Louvre; and there is a
third entrance, the Passage Richelieu between Place du Palais-Royal and
the Cour Carrée for Friends of the Louvre (Amis du Louvre), groups and
visitors to the auditorium and restaurant only.
On the mezzanine level an exhibition in two parts recounts the history of
the Louvre, and visitors can see the remains of the medieval crypt.
Notre-Dame
The monumental and finely balanced west front of Notre-Dame in Paris
reveals on closer examination the sequence of building phases and hence
the development of the High Gothic style. The doorway (c. 1200), the
window level (c. 1220), the traceried balustrade above the rose window and
the unfinished towers (1225-50) illustrate the progressive refinement of
the formal language of Gothic. The tripartite vertical articulation
reflects the tripartite division of the interior into nave and aisles. The
five horizontal sections (the doorway level, the Gallery of Kings, the
windows, the traceried gallery, the towers) also correspond to different
levels in the interior (the doorway zone to the arcading, the gallery of
kings to the internal galleries, the window zone to the high windows in
the interior).
Eiffel
Tower
Despite oft-repeated doubts as to its stability, the Eiffel Tower
celebrated its centenary in 1989 after a general overhaul lasting eight
years. In 1932 it lost its title as the world's highest man- made
structure to the Empire State Building in New York (a title now held by
the CN Tower in Toronto with a height of 553.35m/1,815ft), but is still
visited by almost six million people a year. The Eiffel Tower has long
been, and still is, the great landmark of Paris.
The designs and calculations for the tower, built for the Paris Exhibition
of 1889 which marked the centenary of the French Revolution, were the work
of Alexandre-Gustave Eiffel (1832-1923), an engineer from Dijon. He
designed the tower in such a way that even under extreme wind pressure the
structural weight is sufficient to prevent it from being blown over.
Moreover the lattice construction reduced the pressure on the structure by
about half, thus giving a double insurance against collapse. Standing
307m/1,007ft high (320.75m/1,052ft to the tip of the aerial), the tower
consists of 15,000 steel sections held together by 2.5 million rivets.
Originally the structure's total weight of 7,500 tons was distributed in
such a way that at ground level the pressure exerted was only four
kilograms per sq. centimeter (57 lb per sq. inch), roughly the pressure
exerted by a normal-sized adult on the seat of a chair. As individual
sections are not replaced by a similar section but by a heavier concrete
section, however, the total weight has increased to 11,000 tons. In the
course of the recent renovation 1,500 concrete sections were replaced by
steel plates.
Montmartre
There are two common explanations for the name Montmartre. One is that is
comes from Mons Mercurii (Mercury's Mount), after a temple of Mercury
which is said to have stood here. The other is that the name is a
corruption of Mont des Martyrs, since legend has it that St Dionysius (Denis),
first bishop of Paris, was executed here along with his companions
Rusticus and Eleutherius.
Nowadays there are three Montmartres: the Butte Montmartre, the hill
(129m/423ft) on which are the Sacré-Coeur (photo - left), the Place du
Tertre and various little theaters and revues like Michou's crazy drag
show in Rue des Martyrs; the
residential quarter of Montmartre; and the entertainment quarter on the
Boulevard de Clichy with its numerous erotic establishments, which are
also to be found round the legendary Moulin Rouge and in the adjoining
side streets.
Triumphal Arch
The Arc de Triomphe de l'Etoile is dedicated to the glory of the
victorious French armies of the Revolution and the First Empire. Napoleon
ordered the building of this mighty structure in 1806 but did not live to
see its completion in 1836. It was designed by JF Chalgrin (1739-1811) and
completely restored in 1988-89.
Place
de la Concorde
The spacious Place de la Concorde in Paris, at the intersection of two
main axes (Louvre-Arc de Triomphe and Madeleine-Palais-Bourbon), is
recognized as one of the finest squares in the world. Originally called
Place Louis-XV, with an equestrian statue of the king in the center, it
was laid out by the architect Jacques-Ange Gabriel, who between 1755 and
1775 built two magniificent buildings on the north side of the square,
flanking Rue Royale: to the right the Ministère de la Marine (since 1792;
originally the Garde-Meuble de la Couronne, the royal furniture store), to
the left the elegant Hôtel Crillon.
During the French Revolution the statue of the king was destroyed, the
square was renamed Place de la Révolution and the guillotine was set up
here. Among the many thousands executed in this square were Louis XVI and
Marie-Antoinette, Madame Dubarry, Charlotte Corday, Danton and finally
Robespierre and his supporters.
The square was given its present name in 1795, under the Directoire.
Between 1836 and 1854 Jacob Ignaz Hittorff, a native of Cologne, gave the
square its final form by erecting two fountains (the one to the north
decorated with allegories of agriculture and industry, the one to the
south with allegorical figures representing seafaring and fishing) and
eight female figures (restored 1988) personifying France's eight largest
cities (clockwise: Marseilles, Bordeaux, Nantes, Brest, Rouen, Lille,
Strasbourg, Lyons). The lodges in the bases of the statues were formerly
occupied by municipal employees (gardiens).
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